-
How-Tuesday: Raise the Flag Picnic
Blanket
Ellen Luckett Baker is author of The Long Thread, where she writes about her adventures with sewing, crafting, and kids. Her
book, 1, 2, 3 Sew, was recently published by Chronicle Books and her debut fabric collection, Quilt Blocks, is now available. You can find fabrics from this
collection right here on Etsy. Ellen lives in Atlanta with her husband, two daughters, and a growing number of pets. Currently
she is working on her next book, 1, 2, 3 Quilt, scheduled for publication in fall 2013.
With bright colors and simple construction, this patchwork blanket will help you get excited about summer. Take it with you to the beach, pool,
or park. The basic construction will introduce you to a few quilting techniques, but without binding or top quilting, the simple pattern is easy
for those new to sewing. This blanket features the bright, geometric designs of my new fabric collection, Quilt Blocks, which is inspired by the
timeless designs of quilts, but with a modern twist.
These instructions use three pieces of fabric sewn together to form the backing, but you can also use a vintage sheet or, if you are a more
experienced sewer, you could use waterproof fabrics for the backing for added function and durability. For the flags, you may choose to use 20
different fabrics or make them all the same. I used 12 different fabrics, with most of them repeating.
Supplies:
4 yards backing fabric
2 yards white cotton fabric
20 fat quarters printed cotton fabric
½ yard striped cotton fabricâ€
Finished dimensions: 72†x 64â€
Seam allowance: ¼”
Directions:
1. Cut fabric and batting. You will need to cut the following:
- 10 ½†squares of patterned fabric (cut 20)
- 6†squares of patterned fabric (cut 20)
- 6†squares of white fabric (cut 20)
- 15†X 4†white fabric (cut 16)
- 4 ½†x 64 ½†striped fabric (cut 3)
- 72 ½†x 64 ½†batting
- 16 ½†x 64 ½†backing fabric (cut 2)
- 40 ½†x 34 ½†backing fabric (cut 1)
2. Make half-square triangles. First, you will need to form a set of half-square triangles for each flag. With a 6â€
patterned square and a 6†white square, place the fabrics right sides facing and mark a line down the diagonal using a pencil or pen.
Stitch ¼†from this line on either side, as illustrated in fig. A. Cut down the center, open the square, press and trim
if needed. Repeat until you have sewn all twenty sets of squares together to form forty half-square triangles. Press the seams to one side.
3. Sew half-square triangles together. With like fabrics together, sew one half-square triangle to another, with right sides
facing and white fabrics together. See fig. B. Repeat until you have twenty joined pieces. Press the seams open.
4. Finish flag pieces. Sew the joined half-square triangles to the 10 ½†squares, with right sides
facing. Be sure that the center tip of the white triangle is facing towards the patterned square. See fig. C. Press the seam towards the square
of fabric.
5. Sew flags together. Next, you will join the flag pieces to form the four columns of the blanket. Start with a flag, then
sew a 15†x 4†white piece to it. Next, sew another flag to the other side of the white piece and continue until you
have a column of five as shown in fig. D. Repeat until you have sewn four columns, with five flags in each. Press all the seams toward the
darker fabric.
6. Sew striped fabric between flag columns. Sew one long, striped piece of fabric (4 ½†x 64
½â€) to one column of flags, with the solid side of the flags facing the strip, as if they are on a flagpole. Next,
sew another column of flags to this strip, this time with the tips facing the strip. Repeat with the next striped piece. When you reach the
final striped piece, face the flags away, with the solid part of the flag along the striped fabric. See fig. E. Press seams toward the darker
fabric. Press the finished patchwork top.
7. Make the backing. Sew the three backing pieces together as shown in fig. F. Press the seams open.
8. Sew the blanket together. Lay the quilt batting out on the floor and tape down the corners. Place the backing fabric with
the right side up on top of the quilt batting. Then place the patchwork top right sides down next, so that the right sides of the fabrics are
facing one another. Adjust and/or trim if needed to make sure that the edges of all three layers are perfectly aligned. Pin around the edges.
You may want to use safety pins around the edges and in the center to secure the fabric. Carefully move the pinned fabric layers to your sewing
machine. Sew around the edges with a ¼†seam allowance, being sure to catch all three layers as you sew. Leave a
12†opening in the center of one side as shown in fig. G.
9. Finish and top stitch. Pull the blanket’s right sides out through the opening in the side. Carefully poke
out the corners and then press all edges flat, being sure to press the edges along the opening so that they are ready to be sewn together. Pin
the opening closed. Topstitch along the perimeter, ¼†from the edge to secure the batting and close the opening. You
may choose to finish the blanket with hand-tied knots or simple quilting.
Thank you to Ellen Luckett Baker for sharing this project with us. For more sewing projects like this one, check
out 1, 2, 3 Sew, available from
Amazon and your local independent bookstore. If you make your own
picnic blanket, share a photo with us in the Etsy Labs Flickr
group.
More Things to Make | Picnic Blankets on Etsy
-
The Emergence of the Fix-It Society
Photo by Angie Six on Flickr
In Amsterdam, community members are gathering at cafés, not for a cup of coffee, but to fix broken toasters and
vacuum cleaners. Started as a small volunteer-based center, the Repair Cafe has become a
success story, attracting more than $525,000 in funding. “In Europe, we throw out so many things,â€
said Martine Postma, the journalist who came up with the idea. “It’s a shame, because the things we throw away are
usually not that broken. There are more and more people in the world, and we can’t keep handling things the way we do.”
The Repair Cafe reminds us that our definition of “broken” has radically changed over the past 50 years. We used to sew patches on
ripped clothing and wrap duct tape around frayed extension cords, but now it’s easier, and often cheaper, to just purchase a replacement.
“This cost 5 or 10 euros,” said a women, referring to a black H&M skirt she brought to the Repair Cafe.
“It’s a piece of nothing, you could throw it out and buy a new one. But if it were repaired, I would wear it.”
The movement towards repair isn’t just bound to Amsterdam; a small gallery in Brooklyn, New York, now invites community members to bring in
their broken and worn belongings. “Anyone can bring something in and tinker with it. If you don’t fix it, you can turn it into
something else,” said gallery owner Tammy Pittman. “We turned an MP3 player into a telephone. Somebody once turned a shoe into a
lamp.” Now known as the Fixers Collective, not only do participants save money
by revamping their goods, they also learn how something works by tinkering with broken parts.
This approach hearkens back to earlier habits. “In the early decades of industrialization, people might pass down, repair, or sell service
products like ovens, refrigerators, and phones to junk dealers,” writes architect and designer William McDonough. “Today most
so-called durables are tossed. Who on Earth would repair a cheap toaster today? It is much easier to buy a new one than it is to send the parts
back to the manufacturer or track down someone to repair it locally.” Instead of this constant disposability, Â McDonough
envisions a cradle-to-cradle approach to design that
encourages companies to create waste-free products.
Even with do-gooders like McDonough, it will never be easy to persuade companies to create long-lasting products. It’s no
secret that many retailers practice planned obsolescence, deliberately designing and manufacturing objects to have a short lifespan so that
consumers constantly purchase new versions and throw out the old. Â The Repair Cafe and various other fix-it groups emerging around
the world are an example of how people are taking matters into their own hands to completely redefine consumption. It appears we have
the beginnings of a fix-it economy, where the most highly valued skill is the ability to mend.
Chappell Ellison is a designer, writer and design writer. She currently lives in Brooklyn, New York where she serves as a contributor for The
Etsy Blog and design columnist for GOOD.
-
The Bone Carver
MP4 | YouTube | Vimeo | Blip.tv | Subscribe in iTunes
(Music by Matt Abeysekera)
As a young boy on King Island, Sylvester Ayek learned the ways of
his Iñupiat elders: hunting, foraging, and the craft of carving walrus ivory and wood. Today, he sells his artwork to support his
traditional subsistence lifestyle, struggling to maintain Iñupiat ways in a quickly changing world.
For more information about subsistence living and Alaska Native Peoples sale of ivory, read the U.S. Fish and Wildlife Service guidelines.
Watch More Etsy Videos
All Etsy videos are created under the Creative Commons
license.
Please feel free to share!
-
An Heirloom Linen Project From Squam
Retreat
Elizabeth Duvivier is a writer and director of the Squam Art Workshops. Squam is
a lake, a gathering, and a community that is brought together by a series of retreats that aim to celebrate creativity as a way of life.
Five years ago, I launched a series of creative retreats called Squam Art
Workshops. Squam celebrates creativity as a way of life, and our mission is to dissolve restrictions and limitations on the definition of
what it means to be an artist. We celebrate joy, fun, pleasure, beauty and the natural world. Our community receives encouragement, training,
inspiration and experience that nurtures the creative spirit. As you can imagine, many wonderful things have grown out of these gatherings, but
the greatest treasures, for sure, are the friendships and connections that have developed.
When my friend Jeanine Caron married her British boy last December, I knew I had to have something special to offer the newlyweds. As it
happened, I had a set of four vintage pale blue napkins that had been in Jeanine’s Montreal apartment, which she gifted to me
before she moved house to London. (She gave them to me because I loved them so much, so only two went into the runner. Two are still with me!)
And, I knew just the person to help me incorporate this sentimental textile into an heirloom linen: Maya Donenfeld.
As Maya says,  “I love taking something old and transforming it into something fresh and new. I teach others how
to create with salvaged materials in my classes at Squam, on my blog, with patterns in my Etsy shop, and now with my brand new book, Reinvention: Sewing With Rescued
Materials.â€
To learn how Maya turned these supplies…
…into this heirloom-worthy table runner with a story to tell…
…follow us over to the brand new Etsy Weddings blog. There you will find
full instructions for this project by Maya Donenfeld, as well as an array of other
how-to’s, tips, and stories to help you craft a handmade wedding. Read more after the jump!
Etsy Weddings |
Squam Art Workshops | How-To
Projects
Elizabeth Duvivier is a writer and director of the Squam Art Workshops. Squam is a lake, a
gathering, and a community that is brought together by a series of retreats that aim to celebrate creativity as a way of life.
-
June Meet and Make in California
Photo by Combat Paper Project
Hello, creative Californians! We have a great slate of creative programming in your great state this month. Join in the fun on Thursday,
June 7:Â in LA, make handmade paper on a bike-powered contraption with the Combat Paper Project, and in San Francisco, learn
about pickling.
Craft Night at Craft and Folk Art Museum in LA
For this month’s Los Angeles Craft Night, Drew Cameron from the Combat
Paper Project will join us for an evening of bike-powered papermaking. The Combat Paper Project’s mission is to use art-making
workshops “to assist veterans in reconciling and sharing their personal experiences as well as broadening the traditional narrative
surrounding service and the military culture. Through papermaking workshops veterans use their uniforms worn in combat to create cathartic works
of art. The uniforms are cut up, beaten into a pulp and formed into sheets of paper. Veterans use the transformative process of papermaking to
reclaim their uniform as art and begin to embrace their experiences in the military.”
At this Craft Night, we’ll learn some basics about papermaking and witness the bicycle-powered paperbeater. Participants will be able to
make a sheet of handmade paper and also create their own custom stamps from various materials. $5 admission includes materials and snacks. Free
admission for members of CAFAM. RSVP is suggested: rsvp@cafam.org.
When: Thursday, June 7 from 7 to 9 p.m. PT at CAFAM.
Where: Craft and Folk Art Museum, 5814 Wilshire Blvd (at Curson), Los Angeles, CA
Craft Bar at Museum of Craft & Folk Art in S.F.
Caught in a pickle and don’t know what to do on a Thursday night? Join us at MOCFAÂ in San Francisco to learn how to pickle
different kinds of vegetables. The evening will also feature a make-your-own label station. Craft Bar’s Stitch and Bitch is
making a return this month, so bring your knitting needles and yarn, or use the Museum’s. As always, MOCFA supports liquid courage in
crafting, so adult beverages will be available. $5 covers admission, tips, tricks, and materials.
When: Thursday, June 7 from 6 to 8 p.m. PT at MOCFA.
Where: Museum of Craft and Folk Art at 51 Yerba Buena Lane, San Francisco, CA
More Events | Online Labs |
How-Tuesday Posts
|